| 抽象化的语言艺术化的形象 |
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| 引用本文： | 白朝霞.抽象化的语言艺术化的形象[J].喀什师范学院学报,2005,26(2):65-68. |
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| 作者姓名： | 白朝霞 |
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| 作者单位： | 德州学院 中文系,山东,德州,253023 |
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| 摘 要： | 王安忆在她的小说创作中，对小说语言进行了许多有益的探索。《长恨歌》的语言艺术独具特色，她一改20世纪80年代的语言风格而追求语言的“抽象化”，去实践其创作理论。论文从叙述化的语言、风格的统一性和塑造能力三方面分析了《长恨歌》如何运用抽象化的语言来塑造艺术化的形象的。
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| 关 键 词： | 王安忆 小说语言 抽象化 塑造能力 |
| 文章编号： | 1006-432X(2005)02-0065-04 |
Abstract Language with Artistic Figure |
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| BAI Zhao-xia.Abstract Language with Artistic Figure[J].Journal of Kashgar Teachers College,2005,26(2):65-68. |
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| Authors: | BAI Zhao-xia |
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| Abstract: | Wang An-yi does a very useful language research in her novel writing. The language art in novel A Song of Eternal Sorrow is speciality. She changes her language model used in 80's to find an abstract and implicit style to practice her theory. From three i.e. related language, uniform language style and creative ability, this paper analyses the abstract and implicit character used in A Song of Eternal Sorrow. |
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| Keywords: | Language Abstraction Artistic Style Creative ability |
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