| 荡出形态之外--对西方现代绘画与东方艺术形态的思考 |
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| 引用本文： | 谭亚平.荡出形态之外--对西方现代绘画与东方艺术形态的思考[J].湘潭师范学院学报(社会科学版),2004,26(6):121-124. |
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| 作者姓名： | 谭亚平 |
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| 作者单位： | 衡阳师范学院,美术系,湖南,衡阳,421008 |
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| 摘 要： | 西方现代绘画与东方艺术所呈现的"荡出形态之外"的外化形态极为相似.但西方艺术自古希腊以来,是在"二元论"哲学思维的求证问题的方式下切入的,以"人"为中心.其实质与中国"一元论"思维下的东方传统艺术是不同的,甚至可以说与东方的这种"天人合一"的精神是不在同一个层面上的审美范式.
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| 关 键 词： | 问题 求证 主观情绪 道 天人合一 |
| 文章编号： | 1009-4482(2004)06-0121-04 |
| 修稿时间： | 2004年6月20日 |
Beyond the Shape:Reflection on Western Modern Painting and Oriental Arts Shape |
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| TAN Ya-ping.Beyond the Shape:Reflection on Western Modern Painting and Oriental Arts Shape[J].Journal of Xiangtan Normal University(Social Science Edition),2004,26(6):121-124. |
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| Authors: | TAN Ya-ping |
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| Abstract: | The Western modern painting is similar to the "outside shape" shown by the Oriental arts. However, since the ancient Greece, the Western arts have come out from the philosophical thinking of "dualization" with verification, centered on "people". Their essence is different from the Oriental tradition arts of "monism". One can even say such Oriental spirit of "Heaven and Man in one" is an aesthetic pattern from a different level. |
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| Keywords: | question verification subjective feeling Dao Heaven and Man in one |
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