| 废名小说《桥》的禅意 |
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| 引用本文： | 陈邑华. 废名小说《桥》的禅意[J]. 闽江学院学报, 2006, 27(6): 67-71 |
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| 作者姓名： | 陈邑华 |
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| 作者单位： | 闽江学院中文系,福建,福州,350108 |
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| 摘 要： | 废名的长篇小说《桥》是其影响最大,最能标显其个性的诗化小说的代表作。《桥》不仅营建了一个充满诗情画意的田园梦,更以其特有的禅意成为废名的“特创”,这浓浓的禅意除了研究者们所提出的跳跃式、简洁而空灵的语言特点及静寂的禅境外,还有来自于语言自身所承载的佛禅信息。这里,笔者将从《桥》里意象的选择、生死观、辨证思想三方面阐释其佛禅意蕴,从而更好地展现废名小说特有的禅意。
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| 关 键 词： | 《桥》 意象 生死观 辨证思想 |
| 文章编号： | 1009-7821（2006）06-067-05 |
| 收稿时间： | 2006-09-28 |
| 修稿时间： | 2006-09-28 |
On the Dhyana of Bridge |
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| CHEN Yi-hua. On the Dhyana of Bridge[J]. Journal of Minjiang University, 2006, 27(6): 67-71 |
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| Authors: | CHEN Yi-hua |
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| Abstract: | Among Fei Ming's novels,Bridge has been found to be the most typical,thus the most influential,regarding his unique creation.Dhyana,permeated all through the novel,as well as the idyllic dream world disclosed therein.His Dhyana is featured not only by jumping brevity and refreshingness in terms of wording,as some research has put it,but also by the informativeness in realm of Buddhism.The present writer herein unveils the Dhyana spirit special to Fei Ming's novels by an- alyzing the images,notion of life and death,and dialectics embodied in Bridge. |
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| Keywords: | Bridge image notion of life and death dialectics |
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