| 再论立体主义在绘画史上的地位 |
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| 引用本文： | 杨楼生. 再论立体主义在绘画史上的地位[J]. 雁北师范学院学报, 2007, 23(1): 107-109 |
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| 作者姓名： | 杨楼生 |
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| 作者单位： | 漯河职业技术学院美术系,河南,漯河,462002 |
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| 摘 要： | 如今高校美术专业模仿成风,把再现自然、拷贝客观作为评价能力的标准,而不以新的理念确定教学目标。文章论述了立体主义绘画运动的发展历程和特征以及对后来艺术的影响,帮助同学认识艺术的本质在于创新。
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| 关 键 词： | 立体主义 现代艺术观念 历程 影响 |
| 文章编号： | 1009-1939（2007）01-0107-03 |
| 修稿时间： | 2006-07-29 |
Discussion on Cubism in the History of Drawing Again |
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| YANG Lou-sheng. Discussion on Cubism in the History of Drawing Again[J]. Journal of Yanbei Teachers College, 2007, 23(1): 107-109 |
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| Authors: | YANG Lou-sheng |
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| Affiliation: | Department of Fine Arts, Luohe Vocational and Technical College, Luohe Henan 462002 |
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| Abstract: | At present the imitation in fine arts is very common.They regard reappearance of nature and copy of objective as the standard of commenting ability,instead of deciding its teaching aim with new concept in college.This paper elaborates the development process,features and influences of cubism drawing and makes students realize the essence of art lies in innovation. |
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| Keywords: | cubism concept of modern art process influence |
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