| 畅情求美新潮的感性光辉--论魏晋南北朝时期情感美学观 |
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| 引用本文： | 黄南珊.畅情求美新潮的感性光辉--论魏晋南北朝时期情感美学观[J].四川师范大学学报(社会科学版),2001,28(2):47-54. |
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| 作者姓名： | 黄南珊 |
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| 作者单位： | 湖北省社会科学院,文学研究所,湖北,武汉,430077 |
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| 摘 要： | 中国古典情感美学观发展到魏晋南北朝时期,出现了划时代的新变以情为本、尚情重情、畅情求美成为时代美学主潮.这一时期情感美学观具有三个显著特点,即情感表现的本体论观照视角,情理关系的一体化把握方式,情形(形式)关系的兼美化审美指向.
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| 关 键 词： | 魏晋南北朝 情感美学观 |
| 文章编号： | 1000-5315(2000)02-0047-08 |
| 修稿时间： | 1999年1月11日 |
Explanation of Sentimental Aesthetic View During Wei-Jin-Nanbeichao Periods |
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| HUANG Nan-shan.Explanation of Sentimental Aesthetic View During Wei-Jin-Nanbeichao Periods[J].Journal of Sichuan Normal University(Social Science Edition),2001,28(2):47-54. |
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| Authors: | HUANG Nan-shan |
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| Abstract: | An epoch-making change emerges in the development of Chinese classic sentimental aesthetic view during the Wei-Jin-Nanbeichao Periods. The main aesthetic trend of the times is taking feelings as the basis, setting great store by feelings and pouring out one's feelings to realize beauty. The sentimental aesthetic view of the periods has three notable features, that is, ontological perspective of feelings expression, treatment of feelings and reasons as an organic whole , and aesthetic purpose of beautification of both feelings and forms. |
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| Keywords: | The Wei-Jin-Nanbeichao Periods sentimental aesthetic view |
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