| 论钢琴演奏中情感与理智的融合 |
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| 引用本文： | 汪黎明,吉利. 论钢琴演奏中情感与理智的融合[J]. 西南师范大学学报(人文社会科学版), 2005, 31(6): 169-171 |
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| 作者姓名： | 汪黎明 吉利 |
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| 作者单位： | 四川师范大学艺术学院,四川成都610068 |
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| 摘 要： | 音乐是一门听觉艺术，更是一门表演艺术，表演需要情感与理智的融合。音乐的本质内容，音乐的表演，以及体验派与表现派合流的表演艺术，都证明了情感与理智相融合在钢琴演奏乃至所有艺术表演中的重要性，证明了情感与理智融合统一的美学原则，在艺术创作中具有普遍性。
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| 关 键 词： | 情感 理智 时代背景 民族风格 二度创作 |
| 文章编号： | 1000-2677(2005)06-0169-03 |
| 收稿时间： | 2005-08-08 |
| 修稿时间： | 2005-08-08 |
On the Combination of Feeling and Rationality in Playing the Piano |
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| WANG Li-ming,JI Li. On the Combination of Feeling and Rationality in Playing the Piano[J]. Journal of Southwest China Normal University(Philosophy & Social Sciences Edition), 2005, 31(6): 169-171 |
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| Authors: | WANG Li-ming JI Li |
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| Affiliation: | School of Arts, Sichuan Normal University, Chengdu 610068, China |
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| Abstract: | Music is not only an auditory art, but also a performing art which requires the combination of feeling and ration-ality. This paper focuses on the importance and the aesthetic principles of this combination in playing piano as well as in the other artistic performances from three aspects of the essential content of music, the performance of music and the combination of the experiential and expressional performing arts. |
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| Keywords: | feeling rationality setting of the times ethnic features recreation |
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