| 横吹曲辞《关山月》创作范式考论 |
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| 引用本文： | 阎福玲.横吹曲辞《关山月》创作范式考论[J].河北师范大学学报(哲学社会科学版),2005,28(2):45-52. |
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| 作者姓名： | 阎福玲 |
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| 作者单位： | 河北师范大学,文学院,河北,石家庄,050091 |
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| 摘 要： | 《关山月》是横吹曲辞中最富诗意的乐府旧曲，出现在魏晋以后刘宋升明元年以前，南朝诗人的《关山月》创作，以关山为背景，以月为核心，形成咏月式写作模式。唐人《关山月》则以月为背景，形成“见月思乡”与“望月怀人”的抒情范式。常用今昔对比、边关闺阁对举、超越时空等表现手法，表达丰富的情思内涵，对后世诗歌和其他艺术都产生了深远的影响。
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| 关 键 词： | 横吹曲辞 关山月 咏月模式 见月思乡 望月怀人 深远影响 |
| 文章编号： | 1000-5587(2005)02-0045-08 |
| 修稿时间： | 2004年10月29 |
A stylistic approach to the song of The Moon Over the Guangshan Mountain |
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| YAN Fu-ling.A stylistic approach to the song of The Moon Over the Guangshan Mountain[J].Journal of Hebei Normal University(Philosophy and Social Science),2005,28(2):45-52. |
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| Authors: | YAN Fu-ling |
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| Abstract: | The Moon Over the Guangshan Mountain is the most poetic classic song, and widely popular since Wei and Jin dynasties. By the time of the South Dynasty, The Moon Over the Guangshan Mountain has become peculiar style of poetic creativity, with the Guanshan Mountain as background, and the moon as keynote. However, by the Tang Dynasty, The Moon Over the Guangshan Mountain rotates to take the moon for background, centering on the fixed style of odes to the moon in expressing the nostalgia of the poets. In addition, the poetic devices of contrasts of time and place for expression of the abundant affection have also resulted in the far-reaching influences upon the poetry and arts. |
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| Keywords: | songs The Moon Over the Guangshan Mountain ode to the moon style influence |
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