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试论傩堂“三女戏”的世俗性
引用本文:何飞.试论傩堂“三女戏”的世俗性[J].教育文化论坛,2014,6(4):130-134.
作者姓名:何飞
作者单位:贵州民族大学民族学与社会学学院,贵州贵阳,550025
基金项目:贵州民族大学学生研究自筹项目“民俗学视野下的傩堂‘三女戏’研究”
摘    要:傩堂戏是一种民俗戏剧。剧目《孟姜女》《龙王女》《庞氏女》并称为傩堂戏中的“三女戏”,是戏剧化程度较高的大型剧目。傩堂“三女戏”是人们世俗生活的一种倾诉,或是描述世俗生活的情景,或是诉说世俗生活中的苦难,或是展示世俗生活的风俗习惯,与人们的现实生活内容贴近,再现了广大人民世俗生活境遇、婚姻家庭及社会思想观念等,对在困苦境遇之下的民众心理和精神有着重要的影响。

关 键 词:傩堂戏  三女戏  世俗性

A Tentative Study on Secularism in "Three Women Play" of Nuotang Opera
HE Fei.A Tentative Study on Secularism in "Three Women Play" of Nuotang Opera[J].Joumal of Education Culture,2014,6(4):130-134.
Authors:HE Fei
Institution:HE Fei (Graduate Academy of Guizhou Minzu University, Guiyang, Guizhou, 550025 )
Abstract:Nuotang Opera is a-kind of folk drama. Its repertory Daughte and Pangshi Lady have been known as the "Three Women of Meng Jiang Lady, Dragon Kong's Play", which is a large repertoire of high drama. This paper argues that the "Three Women Play" of Nuotang opera is pouring the secular life, or describing the life situation, or telling the hardship from the actual life, or showing the custom, all of which are close to the mundane life, representing people's secular life situation, family marriage and social ideology, etc, which constitutes the psychological and spiritual bailment under the poor situation.
Keywords:Nuotang Opera  Three Women Play  secularism
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