历史·游戏·真理--伽达默尔美学思想探新

望文生义地认为伽达默尔的解释学美学也是一种读者中心理论，这是20世纪西方美学史研究的一个严重失误。本文希望通过对伽达默尔美学思想的详细分析，还其理论一个真实的面目，认为伽氏的美学研究是其本体论哲学解释学的一个组成部分。通过对他的思想理论中三个关键词的分析，认为无论是他对理解的历史性的强调，还是对艺术游戏本身特点的着重论析，最后都落实到对真理的关注，并通过对存在真理的关注，使艺术的意义得以开启。这其实才是伽达默尔美学思想的核心。

History·Game·Truth--Review of Gadamer''''s Aesthetics Ideas

It is a serious mistake in the 20 century's research about western aesthetics that many researchers regard Gadamer's Hermeneutics-Aesthetics as reader-centered theory literarily.The author attempts to clarify the wrong view and restore true aspects through analyzing Gadamer's aesthetics ideas in detail and consuders that Gadamer's aesthetics is one part of his ontological Philosophical Hermeneutics.Regardless of the stress on historical understanding,or the focal discussion on artistic recreation,Gadamer put emphasis on truth at last,and found the artistic signification through paying attention to being and truth.It is the real kernel of Gadamer's aesthetics ideas.