| 巴尔扎克笔下的艺术形象 |
| |
| 引用本文： | 冯华. 巴尔扎克笔下的艺术形象[J]. 平原大学学报, 2003, 20(3): 75-76 |
| |
| 作者姓名： | 冯华 |
| |
| 作者单位： | 河南机电高等专科学校,河南,新乡,453002 |
| |
| 摘 要： | 巴尔扎克的《人间喜剧》通过2400个生动的艺术形象，相当精确地记录了19世纪前半叶法国的社会生活，描写了金钱给社会生活和人的内心世界造成的致命影响。由于金钱，导致出各种阴谋犯罪和道德堕落，使人与人之间的关系变成了赤裸裸的现金交易。《人间喜剧》创作的显特点之一就是创造了典型环境中的典型人物，本对巴尔扎克笔下的艺术形象进行评论分析，如：吝啬鬼葛朗台，充满父爱的高老头。
|
| 关 键 词： | 巴尔扎克 艺术形象 《人间喜剧》 法国 葛朗台形象 高老头形象 文学评论 小说 |
| 文章编号： | 1008-3944(2003)03-0075-02 |
| 修稿时间： | 2003-05-01 |
Artistic Figures Created by Balzac |
| |
| FENG Hua. Artistic Figures Created by Balzac[J]. Journal of Pingyuan University, 2003, 20(3): 75-76 |
| |
| Authors: | FENG Hua |
| |
| Abstract: | Balzac unfolds before us social lives in France in the first half of the 19th century through 2400 lively artistic figures in The Human comedy, and discloses money's crucial effects on social lives and people's inner world. Owing to greed for money, a range of crimes and degeneration are involved and the relationship between humans is undisguised transaction with money. The typical feature of The Human Comedy is that typical figures are created in typical backgrounds. The article talks about the artistic figures by Balzac such as miser Grandet, Goriot with fatherly love. |
| |
| Keywords: | balzac artistic figure grandet goriot |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
