| 马致远神仙道化剧的艺术特色——兼论其宗教基因 |
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| 引用本文： | 刁生虎,王晓萌.马致远神仙道化剧的艺术特色——兼论其宗教基因[J].南阳师范学院学报,2013,12(7):51-54. |
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| 作者姓名： | 刁生虎 王晓萌 |
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| 作者单位： | 中国传媒大学宗教学与文化传播研究所,北京,100024 |
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| 基金项目： | 教育部人文社会科学研究青年基金项目，中国传媒大学科研培育基金项目 |
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| 摘 要： | 由于全真教思想的渗透和影响,马致远的神仙道化剧无论是在悲凉感情的宣泄、神奇想象的展现、度脱故事的敷衍还是语言曲词的运用上,都无一例外地打上了宗教烙印,其在创作模式、戏剧观念及戏剧结构上也因此取得了不同于其他杂剧的独特成就。
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| 关 键 词： | 全真教 感情基调 想象艺术 戏剧结构 语言曲词 |
On the Artistic Characteristics of and Religious Genes in Ma Zhiyuan's Mythological Drama |
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| DIAO Sheng-hu
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WANG Xiao-meng.On the Artistic Characteristics of and Religious Genes in Ma Zhiyuan's Mythological Drama[J].Journal of Nanyang Teachers College,2013,12(7):51-54. |
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| Authors: | DIAO Sheng-hu WANG Xiao-meng |
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| Institution: | 1,2. Research Institute for Religious Studies and Culture Communication, Communication University of China, Beijing,100024, China) |
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| Abstract: | Owing to the penetration and influence of the ideologies preached by the Quanzhen School of Taoism, Ma Zhiyuan＇ s mythological drama featuring Taoist deities is invariably marked by its religious traces or elements either in terms of the expression of dismal feelings, the exhibition of magical imaginations, or in terms of the depiction of stories about the ancient immortals and the application of distinctive language lyrics. Precisely because of this, Ma Zhiyuan＇ s mythological drama is widely recognized for its outstanding achievements in aspects of creative mode, dramatic concepts, and dramatic structure, which are quite different from other forms of drama. |
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| Keywords: | the Quanzhen School of Taoism emotional tone imaginative art dramatic structure language lyrics |
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