“重述”的谬误——论《屈原》的发表与“弦外音”的发现

在宏大历史书写下,历史剧《屈原》的"细部"发掘以及相关史料的甄别与考辨工作还十分匮乏。《屈原》的主题并非不证自明,而是"联想多于影射",容纳着可供多元阐释的空间。在历史重述中,《屈原》的主题被日益简化,在彰显鲜明斗争性的同时,也遮蔽了特殊历史语境下历史剧创作的隐晦性与策略性,《屈原》蕴藉深意的政治主题,正是在国共双方的博弈中得以最终凸显。

The Fallacy of Restatement: On the Publication of Qu Yuan and a Discovery of Discordant

Work on the "minute details" of the historical drama Qu Yuan from a maro-history perspective is still seriously lacking;this is true of the discrimination of relevant historical archives as well.But the themes of Qu Yuan are far from explicit,leaving "associations coupled with innuendos" to give rise to a host of hermeneutic spaces.In historical restatements after historical restatements,the themes of are becoming ever more simplistic,serving to dramatize class struggles while largely burying the opaqueness and strategies therein.It is interesting to note that the political theme of Qu Yuan was actually made apparent during the battles between the Nationalists and the Communists.