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从《千只鹤》等晚期作品看川端康成的虚幻美
引用本文:尚洁. 从《千只鹤》等晚期作品看川端康成的虚幻美[J]. 新乡师范高等专科学校学报, 2006, 20(3): 120-123
作者姓名:尚洁
作者单位:郑州旅游职业学院,文科基础部,河南,郑州,450009
摘    要:川端康成曾以《雪国》、《古都》、《千只鹤》等作品成为继泰戈尔之后,第二位获得诺贝尔文学奖的亚洲作家。人们普遍对川端康成早、中期的作品给予了较高的评价,而对其晚期作品争议颇多。以《千只鹤》为主,发掘川端康成晚期作品“赤裸裸的情欲”表象下,“悲哀美”这一主旋律的变奏———虚幻美,并进一步探究这一现象的成因。

关 键 词:川端康成  晚期小说  虚幻美  悲哀美
文章编号:1008-7613(2006)03-0120-04
收稿时间:2006-02-28
修稿时间:2006-02-28

A Study of " Shadowy Beauty" in Yasunari Kawabata's Later Works like Thousand Cranes
SHANG Jie. A Study of " Shadowy Beauty" in Yasunari Kawabata's Later Works like Thousand Cranes[J]. Journal of Xinxiang Teachers College, 2006, 20(3): 120-123
Authors:SHANG Jie
Abstract:Yasunari Kawabata(1899-1972),the second Asian writer winning the Nobel prize for literature after Tagore,is famous for such works as Snow Country,Thousand Cranes,The Old Capital,etc.Most people sing the praise of the novels of his early and middle writing period,as to his later works,arguments exist.This comment is mostly based on the novel Thousand Cranes and aims at uncovering the " shadowy beauty"—— variation of the main theme "melancholy beauty" under "naked passion" in his later works.Moreover,it tries to explore the reason of the phenomenon.
Keywords:Yasunari Kawabata   later works    shadowy beauty   melancholy beauty
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