| 论《天下无贼》的电影叙事与小说叙事 |
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| 引用本文： | 刘鹏艳.论《天下无贼》的电影叙事与小说叙事[J].安徽教育学院学报,2006,24(2):110-113. |
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| 作者姓名： | 刘鹏艳 |
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| 作者单位： | 安徽大学,中文系,安徽,合肥,230039 |
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| 摘 要： | 从赵本夫的短篇小说到冯小刚的商业电影,《天下无贼》无论在叙事结构还是人文内涵方面都发生了重大变化,当我们将严肃小说和商业电影并置于同一个展台进行比照,可以看到比单维的小说分析或是电影分析更多深刻的艺术思考。
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| 关 键 词： | 《天下无贼》 电影 小说 叙事 |
| 文章编号： | 1001-5116（2006）02-0110-04 |
| 收稿时间： | 2006-01-04 |
| 修稿时间： | 2006年1月4日 |
Comment on the Movie Narration and Story Narration of A World Without Any Thieves |
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| LIU Peng-yan.Comment on the Movie Narration and Story Narration of A World Without Any Thieves[J].Journal of Anhui Institute of Education,2006,24(2):110-113. |
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| Authors: | LIU Peng-yan |
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| Institution: | Department of Chinese, Anhui University, Heifei 230039, China |
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| Abstract: | A World Without Any Thieves is originally a short novel written by ZhAO Ben-fu and a film directed by to FENG Xiao-gang,It has taken great changes not only in the narrative structure but also humanism connotation.When we make a contrast between a serious novel and a commercial movie together, we can find that there are more artistic considerations than any analyses in single dimension. |
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| Keywords: | A World Without Any Thieves movie story narration |
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