| 论艺术形象域中异同循环创作规律的价值 |
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| 引用本文： | 林叶薇. 论艺术形象域中异同循环创作规律的价值[J]. 福建师范大学学报(哲学社会科学版), 2010, 0(1) |
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| 作者姓名： | 林叶薇 |
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| 作者单位： | 福建教育学院艺术系,福建,福州,350001 |
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| 摘 要： | 本文运用系统控制论与文本分析的方法,对19世纪新古典主义理性王国分野之后的现实主义绘画、印象主义(包括新印象主义)绘画和后印象主义(自塞尚的现代主义)绘画中,梳理与阐述艺术形象域中异同循环创作规律的历史秩序。把摄影术的介入作为影响艺术创作主体对艺术形象域的外围影响因素,论析性地探讨艺术创作形象域中异同循环创作规律的秩序重建。以此观念把握对中国当代艺术的干预反思的价值等方面,化约出艺术形象域中异同循环创作规律的价值体现在形象的释放为艺术形象域本体延异与拓展提供了无限发展可能的契机、对形象创作循环规律的不断探索和研究为艺术史的完善提供了支持性的事实和理论、艺术形象域中异同循环创作规律的秩序建构为整个人类艺术文化的发展提供了可能发展成为学科门类的依据三个方面。本文所探讨的艺术形象域特指本文探讨的19世纪新古典主义艺术分野后,各个风格流派所创作作品中支撑其创作观念的形象载体的总和。
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| 关 键 词： | 艺术形象域 异同循环 创作规律 现代主义 中国当代艺术 价值 |
Title: Domain of the artistic image of the law of similarities and differences between the value creation cycle |
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| LIN Ye-wei. Title: Domain of the artistic image of the law of similarities and differences between the value creation cycle[J]. Journal of Fujian Normal University(Philosophy and Social Sciences Edtion), 2010, 0(1) |
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| Authors: | LIN Ye-wei |
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| Affiliation: | College Art Department;Fujian Education;fuzhou 350001;China |
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| Abstract: | In this paper,the use of system control theory and text analysis method,from the 19th century neo-classical rational distinction between the Kingdom of realism after the painting,Impressionism(Impressionist,including the new) as well as painting from Impressionism to Post-Modernism Cezanne painting open domain of the artistic image of the law of similarities and differences between the historical cycle of creation order to carry out the sort of clues and elaborate.The involvement of photography as an artist... |
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| Keywords: | The artistic image of the domain Cycle of creative differences and similarities between the laws of Modernism Contemporary Chinese Art value |
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