《风》诗艺术形式研究综述

作为中国早期诗乐结合的乐歌,《风》诗在《诗经》中形式特征最为明显。虽然古人很早就注意到这个问题,可是受经学阐释的影响,这方面的研究并没有很好的展开。20世纪20-30年代从歌谣角度对《风》诗形式所进行的讨论,具有十分重要的意义。但是在后来相当长的时期里,学术研究更多关注《风》诗的思想内容,对艺术形式的研究重视不够。1980年代以后,不少论者从音乐角度与语言学角度研究《诗经》,取得了一些可资借鉴的成果。由于重视诗乐关系与文本分析,《风》诗的艺术形式研究在一些具体的方面有所深入。回顾古今学者的研究,我们发现,《风》诗艺术形式研究的状况,往往和那个时期人们对《风》诗性质及对诗乐关系的认识有密切关系。这说明,要推进和深化《风》诗艺术形式的研究,还需要对这些问题进行深入思考。

The Summarizing Research on the Artistic Form of Feng poetry

Feng poetry is the combination of poem and music in the early China.Its form character is the most remarkable in The book of Songs.It has been realized for a long time,but the study in this area is not deep.In the 20's and 30's of the 20th century,it is extremely significant to discuss the form of Feng poetry from ballad aspect.However,after that researchers have paid more attention to the meaning and content of Feng poetry for a very long period,and the study of the form is not enough.After 80's,the study of the form of Feng poetry has been improved in some aspect as the poem-music relationship and text analysis have been put much more attention.Reviewing the studies by ancient and modern scholars,we find the study of the form of Feng poetry has close relationship with people's recognition on the character of Feng poetry and poem-music relationship in the specific period.So it is clear that we should think more of those problems if we want to improve and deepen the study of the form of Feng poetry.