关于钢琴弹奏的发音问题

钢琴弹奏的发音问题,对声音的质量要求是要掌握声音的艺术,“歌唱”地弹奏。在教学中, 通过相应的弹奏方法,找到适当的、美的符合作品要求的声音。要理解重量弹奏法的重要性以及掌握这种方法,同时处理好紧张与放松的关系,把二者统一起来,形成一种舒适自然的状态,获得理想的音色。要追求富有共鸣的声音,就必须加强掌关节的训练,不断培养学生的听觉。声音的好坏和变化还取决于指触,手、手指、手臂的三种触键,将在音量、音质、速度上产生丰富多彩的变化。

Exploring Performance Methods for Ideal Timbres

This paper aims to explore piano performance methods for ideal timbres. To acquire the quality of timbres, the executant is to master the art of sounds and play the piano like singing a song. The teacher may help the students to search for the proper, ideal timbres in accordance with the connotation of the works by means of corresponding performance methods. Students are to know the necessity to grasp weight performance technique, and develop an easy and natural performance by balancing the tension and the relaxation in order to achieve the ideal timbres. It is vital to train students in carpometacarpal joint practice and hearing to obtain resonant timbres. The quality and the variation in volume, quality and rate of the timbres, largely depend on the finger sense and the three types of touches of hands, fingers and arms.