| 从吴彬的画作看晚明变异画风的形成 |
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| 引用本文： | 孙晓昕.从吴彬的画作看晚明变异画风的形成[J].莆田学院学报,2005,12(6):92-94. |
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| 作者姓名： | 孙晓昕 |
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| 作者单位： | 南京师范大学,美术学院,江苏,南京,210097 |
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| 摘 要： | 指出莆田人吴彬是晚明变异画风的画家之一,阐述其山水画学习宋画,但却形成了自己的特点,其细腻的笔触刻画山川、巨石,表现了佛门的清静;其人物使用山水画的笔法,夸张变形,表现了对佛教的深刻理解。这种变异画风的形成,与晚明的社会背景影响有着密切的关系。
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| 关 键 词： | 莆田 吴彬 铜版画 装饰性 画风 |
| 文章编号： | 1672-4143(2005)06-0092-03 |
| 收稿时间： | 2005-06-10 |
| 修稿时间： | 2005年6月10日 |
Probe the Reason of Wan Ming's Variation Drawing from Wu Bin |
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| SUN Xiao-xin.Probe the Reason of Wan Ming''''s Variation Drawing from Wu Bin[J].journal of putian university,2005,12(6):92-94. |
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| Authors: | SUN Xiao-xin |
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| Institution: | Art College, Nanjing Normal University, Nanjing 210097, China |
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| Abstract: | Wu Bin is late Ming's painter who is one of the representative figures of variation painting style.His landscapes learned from the Song's painting,but formed his style.He painted the landscape with a delicate paintbrush,and tended to express a quiet place of Buddhism.His figure paintings are exaggerating into transformation,expressing the understanding of Buddhism.Moreover,late Ming's social and history climate also contributed to this variation painting. |
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| Keywords: | Putian Wu Bin copper-engraving decorating painting style |
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