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从吴彬的画作看晚明变异画风的形成
引用本文:孙晓昕. 从吴彬的画作看晚明变异画风的形成[J]. 莆田学院学报, 2005, 12(6): 92-94
作者姓名:孙晓昕
作者单位:南京师范大学,美术学院,江苏,南京,210097
摘    要:指出莆田人吴彬是晚明变异画风的画家之一,阐述其山水画学习宋画,但却形成了自己的特点,其细腻的笔触刻画山川、巨石,表现了佛门的清静;其人物使用山水画的笔法,夸张变形,表现了对佛教的深刻理解。这种变异画风的形成,与晚明的社会背景影响有着密切的关系。

关 键 词:莆田  吴彬  铜版画  装饰性  画风
文章编号:1672-4143(2005)06-0092-03
收稿时间:2005-06-10
修稿时间:2005-06-10

Probe the Reason of Wan Ming''''s Variation Drawing from Wu Bin
SUN Xiao-xin. Probe the Reason of Wan Ming''''s Variation Drawing from Wu Bin[J]. journal of putian university, 2005, 12(6): 92-94
Authors:SUN Xiao-xin
Affiliation:Art College, Nanjing Normal University, Nanjing 210097, China
Abstract:Wu Bin is late Ming's painter who is one of the representative figures of variation painting style.His landscapes learned from the Song's painting,but formed his style.He painted the landscape with a delicate paintbrush,and tended to express a quiet place of Buddhism.His figure paintings are exaggerating into transformation,expressing the understanding of Buddhism.Moreover,late Ming's social and history climate also contributed to this variation painting.
Keywords:Putian   Wu Bin   copper-engraving   decorating   painting style
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