| 浅论民间信仰为民间戏曲营造的文化环境——以闽南打城戏为例 |
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| 引用本文： | 骆婧.浅论民间信仰为民间戏曲营造的文化环境——以闽南打城戏为例[J].福建师范大学学报(哲学社会科学版),2009(1). |
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| 作者姓名： | 骆婧 |
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| 作者单位： | 厦门大学中文系,福建,厦门,361005 |
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| 摘 要： | 民间戏曲向来与民间信仰唇齿相依.尤其是闽南的打城戏,直接由宗教仪式脱胎,最终实现了向戏曲形态的转变,其蜕变过程仰仗于闽南民间信仰提供的动力.具体而言,打城戏经历了戏剧因子萌芽--戏曲形态形成--表演团体的集体转化三大阶段.其间,闽南民间信仰为打城戏打造了两大市场:一是宗教法事市场,它促使了宗教法事向戏曲的转化;二是民间戏曲演出市场,由"敬天"、"法祖"两大观念相结合,闽南民间信仰为打城戏开辟了得天独厚的舞台,直接促成了戏曲形态的形成.从本质上看,闽南民间信仰浓厚的世俗性,导致宗教团体中分化出戏曲表演团体,促成宗教与戏曲的"联姻",从而催生了独一无二的仪式剧种--打城戏.
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| 关 键 词： | 闽南民间信仰 打城戏 文化环境 民间演出市场 |
On Popular Opera's Culture Environment Established by Folk Religion: Taking Dacheng Opera as an Object |
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| LUO Jing.On Popular Opera's Culture Environment Established by Folk Religion: Taking Dacheng Opera as an Object[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2009(1). |
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| Authors: | LUO Jing |
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| Institution: | Chinese Institute of Xiamen University;Xiamen 361005;China |
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| Abstract: | Popular opera of China is always related with folk religion closely.Especially for Dacheng Opera in Southern Fujian,the process of which change from ritual to theater is wholly promoted by folk religion in Southern Fujian.Concretely,Dacheng Opera has past through three steps :from theater factor's sprouting to theater form's maturity,finally to playing group's collectively transforming.Meanwhile,folk religion used to apply it two markets: one was religious ritual market which accelerated the change from rit... |
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| Keywords: | Folk Religion in Southern Fujian Dacheng Opera Religious Ritual Market Popular Opera's Performing Market |
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