直面传统与现代搭接历史与未来——析谭盾《交响曲1997:天、地、人》

1997年香港主权回归,为纪念这一历史时刻,谭盾创作了大型庆典作品《交响曲1997:天、地、人》。作品在风格和技法上,以编钟为核心,力求穿越时空、跨越文化,实现传统与现代、东方与西方、民族与世界的融合;在立意和内蕴上,力求从中国文化之境"天"、"地"、"人"和"阴阳五行"等宇宙万物及其运行中追寻思问,给人以哲理的思考。

Facing Both Tradition and Modernity to Bridge History and Future——An Analysis of Tan Dun''''s Symphony 1997: Heaven, Earth and Man

When Hong Kong's sovereignty was handed over in 1997,Tan Dun created a large-scale celebration work Symphony 1997:Heaven,Earth and Man to commemorate this historical juncture.On style and technique,this work regards ancient Chinese chime with 12 bells as the core,trying to pass through space and time,crossing over culture,thus realizing the integration of tradition into modernity,East into West,nationality into world;On conception and internality,this work pursues to think and ask issues on Heaven,Earth,Man,and the Five Elements of Negative and Positive and other things from the context of Chinese culture,leaving room for readers to think philosophically.