| 中国伦理情节剧电影的情感化审美特征 |
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| 引用本文： | 何春耕.中国伦理情节剧电影的情感化审美特征[J].安徽教育学院学报,2004,22(2):113-116. |
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| 作者姓名： | 何春耕 |
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| 作者单位： | 湖南大学,广播影视艺术学院,湖南,长沙,410082 |
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| 摘 要： | 以郑正秋、蔡楚生和谢晋等为代表的伦理情节剧电影,以伦理道德为叙事内容,以戏剧性的伦理冲突建构故事情节,以善恶对立的类型化人物为道德化身,以家庭的悲欢离合来寄寓国家和民族命运盛衰兴亡,强调对人性的揭示和对高尚情感的追求,具有社会性与娱乐性相交织的情感化审美特征.
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| 关 键 词： | 伦理情节剧 社会性 娱乐性 情感化 |
| 文章编号： | 1001-5116(2004)02-0113-04 |
| 修稿时间： | 2003年11月21日 |
Examining the Emotionalized Aesthetic Features of the Chinese Movies with Ethic Scenario |
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| HE Chun-geng.Examining the Emotionalized Aesthetic Features of the Chinese Movies with Ethic Scenario[J].Journal of Anhui Institute of Education,2004,22(2):113-116. |
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| Authors: | HE Chun-geng |
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| Abstract: | The movies of ethic scenario produced by the Chinese filmmakers, represented by ZHENG Zheng-qiu, CAI Chu-sheng and XIE Jin, emphasize the exposure of human nature and pursuit of lofty affection. These movies usually include ethic and moral stories, ethically conflicting plots, the vicissitudes of life of ordinary families and national ups and downs. The artistic measures used in these movies reflecting the Good & Evil are impressive stories of truth and deception about ethically-and-morally rightness, which result in emotionalized aesthetic features that combine sociality with entertaining attributes. |
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| Keywords: | Movies of ethic theme sociality entertaining emotionalization |
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