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论崇高美阐释的形态学维度
引用本文:王磊.论崇高美阐释的形态学维度[J].安徽师范大学学报(人文社会科学版),2012,40(2):225-232.
作者姓名:王磊
作者单位:安徽行政学院安徽经济管理学院社会学系,合肥,230059
摘    要:西方崇高美的阐释维度是主体性哲学,实践论美学绍继了这个基本观念。主体性阐释固然高扬了人的主体性,有思想解放的意义,但其消极作用就是完全遮蔽了对审美范畴进行形态学阐释的可能性。这一遮蔽是王国维等人对崇高美以及相关认识上做出了错误判断的主要原因。引入形态学维度对崇高美阐释,不仅对审美形态学研究,或许对整个美学的研究都会有所裨益和启发。它可以避免人与自然的对立态度,体现出人与自然和谐的现代审美精神。

关 键 词:形态学  主体性  崇高  雄浑  冲淡

On Morphological Dimension of Interpreting Sublime Beauty
WANG Lei.On Morphological Dimension of Interpreting Sublime Beauty[J].Journal of Anhui Normal University(Humanities and Social Sciences),2012,40(2):225-232.
Authors:WANG Lei
Institution:WANG Lei(Department of Sociology,Anhui Administration Institute &Anhui Economic Management Institute,Hefei 230059,China)
Abstract:The interpreting dimension of the sublime in the west is the subjective philosophy,which practical aesthetics inherits.The subjective interpretation exalts human subjectivity,which bears the significance of spiritual liberation.However,it has negative effect,which veils the possibility of interpreting in the perspective of aesthetics.It is the main reason why Wang Guowei and other people made their inaccurate judgments on the cognitions concerned.Therefore,the application of a new dimension to interpreting the sublime benefits and enlightens the study of aesthetic morphology and the study of aesthetics as well.It can not only prevent the opposition between human and nature,but also reflect modern aesthetic spirit of harmonious human and nature.
Keywords:morphology  subjectivity  sublime  beauty of xionghun  beauty of chongdan
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