| 论中国画中线的表现力 |
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| 引用本文： | 梁宁.论中国画中线的表现力[J].鞍山师范学院学报,2009,11(6):91-92. |
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| 作者姓名： | 梁宁 |
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| 作者单位： | 鞍山师范学院,美术系,辽宁,鞍山,114007 |
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| 摘 要： | 中国画中的线是抽象化的主观语言，线的品格可以提高到超越现实的一种精神和意蕴表达．为了将中国画中的线的内涵和形式推向更高层次，人们应不被“形似”所囿，而应有意识地追求线性自身的主观表达因素，以线的抒情、写意、畅神来表达画家的审美思想和艺术境界，以提高中国画的审美价值．
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| 关 键 词： | 主观性因素 表现力 符号 语言 |
On the Expressiveness of Line in the Chinese Painting |
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| LIANG Ning.On the Expressiveness of Line in the Chinese Painting[J].Journal of Anshan Teachers College,2009,11(6):91-92. |
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| Authors: | LIANG Ning |
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| Institution: | LIANG Ning ( Department of Art,Anshan Normal University,Anshan Liaoning 114007, China) |
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| Abstract: | Line is captured as a subjective expression in the Chinese painting. The line style can be spirit and implication which transcends reality. In order to improve the content and form of the line to a higher level,we should not be limited by the ＂similar shapes＂, but pursue a linear self-conscious subjective expression of factors of the lyrical lines,freehand,Cheong God to express the painter＇s aesthetic ideas and artistic realm to enhance the aesthetic value of Chinese painting. |
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| Keywords: | Subjective factors Expressiveness Symbols Language |
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