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赞美与悲悯:茅盾、吴组缃小说人物塑造之比较
引用本文:王再兴.赞美与悲悯:茅盾、吴组缃小说人物塑造之比较[J].安庆师范学院学报(社会科学版),2004,23(1):77-80.
作者姓名:王再兴
作者单位:沈阳师范大学,中文系,辽宁,沈阳,110034
摘    要:茅盾和吴组缃都是社会剖析派的代表作家,但他们在人物塑造上存在着一定的差异性。茅盾对他的“民族资本家”系列和“时代女性”系列显现了赞美的主流态度,却影响了主题与人物的一致性,成为茅盾巨大艺术成就中的遗憾。吴组缃对他的“失业店伙”系列和“乡村女性”系列则表达了深切的悲悯,成为他作品中的作家、主题、和人物彼此之间的和谐与完整的自然成份,较为完美地体现了作者的含蓄深邃的风格。

关 键 词:茅盾小说  吴组缃小说  人物形象  比较
文章编号:1003-4730(2004)01-0077-04

Praise and Sorrow:On the differences of the novel figures between Mao Dun and Wu Zuxiang
Wang Zai-xing.Praise and Sorrow:On the differences of the novel figures between Mao Dun and Wu Zuxiang[J].Journal of Anqing Teachers College(Social Science Edition),2004,23(1):77-80.
Authors:Wang Zai-xing
Institution:Wang Zai-xing Department of Chinese,Shenyang Normal University,Shenyang 110034,China
Abstract:Mao Dun and Wu Zuxiang both were the representative writers of Social Analysis Group. But there were quite different points in the novel person molding between them. Mao Dun paid his main attitudes of praising to his "the nation capitalists" series and "the epoch females" series, which demonstrated the diversities among the writ-er, the themes and the figures. Those diversities were the obvious shortcomings against his great achievements. Wu Zuxiang presented his deep sorrow to his novel figures who were "the unemployed shop-servants" series and "the countryside women" series which naturally demonstrated the harmony among the writer, the themes and the novel fig-ures. That perfectly reflected Wu's implicit and profound style.
Keywords:Mao Dun's novels  Wu Zuxiang's novels  novel figures
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