| 关于白茆山歌改编的几点思考 |
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| 引用本文： | 耿仁甫. 关于白茆山歌改编的几点思考[J]. 常熟理工学院学报, 2011, 25(7): 122-124 |
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| 作者姓名： | 耿仁甫 |
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| 作者单位： | 常熟理工学院艺术与服装工程学院,江苏常熟,215500 |
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| 基金项目： | 江苏省教育厅2009年度高校哲学社会科学基金资助项目“高校音乐教育与地方文化建设的互动研究——以白茆山歌为例”(09SJB760003) |
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| 摘 要： | 当下，白茆山歌的曲调、语言和文化方面的研究较多，但为它改编的音乐作品较为少见；白茆山歌需要改编才能继续保持旺盛的生命力，改编形式应当多样化、专业化，可以改编为歌曲、钢琴曲、合唱曲和管弦乐曲等。
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| 关 键 词： | 白茆山歌 改编 体裁 歌唱语言 |
Reflection on the Re-composition of Baimao Folksong |
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| GENG Ren-fu. Reflection on the Re-composition of Baimao Folksong[J]. Journal of Changshu Institute of Technology, 2011, 25(7): 122-124 |
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| Authors: | GENG Ren-fu |
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| Affiliation: | GENG Ren-fu (School of Arts and Garments Engineering,Changshu Institute of Technology,Changshu 215500,China) |
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| Abstract: | There are quite a few researches on intonation,language and culture of Baimao folksong,but its adapted works are rarely seen currently.In order to continue to maintain strong vitality,Baimao folksong needs to adapt.The adaptation should be diversified in form and in a professional manner.It can be adapted to song,piano music,chorus,orchestral music,and so on. |
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| Keywords: | Baimao folksong adaptation form sing language |
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