| 武术的仿生性生产 |
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| 引用本文： | 戴国斌.武术的仿生性生产[J].上海体育学院学报,2009,33(6). |
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| 作者姓名： | 戴国斌 |
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| 作者单位： | 上海体育学院,学院办公室,上海,200438 |
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| 基金项目： | 国家社会科学基金资助项目，中国博士后科学基金资助项目，上海市重点学科(第3期)建设资助项目 |
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| 摘 要： | 在历史发展中,武术也从动物界汲取原料进行文化生产.一方面是象形性生产,通过模仿动作攻击力的拳术化、模仿动物生命力的养生化和模仿动物之态的游戏化,产生了新的活动方式;另一方面是会意性生产,推进了动物运动意向的身体化和人格化,增添了武术文化的表达力.在学之于动物的仿生学转换中,与动物的直接联系生产了武术的象形拳系统,它追求"形似";与动物的间接联系生产了武术的动物意向,它崇尚"神似";这两种不同的与动物的联系方式和审美追求,源于人与动物截然对立的态度.
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| 关 键 词： | 武术 文化生产 仿生性生产 |
Bionic-Character Production of Wushu |
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| DAI Guo-bin.Bionic-Character Production of Wushu[J].Journal of Shanghai Physical Education Institute,2009,33(6). |
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| Authors: | DAI Guo-bin |
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| Institution: | DAI Guo-bin University Office,Shanghai University of Sport,Shanghai 200438,China |
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| Abstract: | In the development of history,Wushu has drawn inspirations from animal kingdom to undergo cultural production.On the one hand,it's a pictographic production,which has produced new forms of activities through the boxing based on imitating attacking force of movement,the preservation of health based on imitating animal vitality and the games based on imitating animals attitudes;on the other side,it's a understanding-character production,which has pushed forward the bodization and personification of intention ... |
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| Keywords: | Wushu cultural production bionic-character production |
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