试论元杂剧宾白的叙事体特征

元杂剧的宾白以“传事”为重点，注重以线性结构来转换时空串联全剧，同时又有强烈的叙述欲望，致使宾白溢出角色溢出剧情。这些特点都是叙事学的传承，是叙事学残留在元杂剧中的烙印。元杂剧的宾白不仅构筑了整体的故事框架，而且在细微处反复强化渲染情节线索，不仅为人物的抒情设置了宏观背景，而且营造了戏剧情境。元杂剧宾白中的内心独白又具有自我对话的性质，形成复调叙事的独特韵味，也更有艺术真实性。元杂剧宾白的非动作性、开放性正与西方戏剧语言的动作性、封闭性、严肃性形成了显而易见的差异。

Discussion of the Features of the Narrative Style of the Spoken Parts in the Poetic Drama of Yuan Dynasty

Narrating the event in the spoken parts,which both links the time and space of the whole play and also shows the strong desire of narration,is the key point of Yuan's poetic drama,from which the characters and plots are derived.All these characteristics derive from narrative literature and are also the brands of the narrative literature in Yuan's poetic drama,the spoken parts of which not only builds the frame of the whole story but also strengthens and plays up the plot in detailed parts,which sets the macro background for the character to express his or her emotion and forms a dramatic circumstances.The monologue in the spoken parts of Yuan's poetic drama bears the features of self dialogue and is the renarrration,which further shows the artistic authenticity.There's a sharp contrast between,the non action,the openness of the spoken parts in Yuan dynasty's poetic drama and the action,confinedness and seriousness of the western dramatic language.