| “杨柳”何处引羌笛——《尔玛的婚礼》文化命题探析 |
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| 引用本文： | 李二仕.“杨柳”何处引羌笛——《尔玛的婚礼》文化命题探析[J].阿坝师范高等专科学校学报,2007,24(4):40-42,45. |
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| 作者姓名： | 李二仕 |
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| 作者单位： | 北京电影学院,文学系,北京,100088 |
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| 摘 要： | 本文立足中国少数民族题材电影发展史的线索,勾勒出了反映羌族生活的电影两部,从《羌笛颂》(1960)到《尔玛的婚礼》(2007)所处的社会语境,指出了中国少数民族电影的抒写实际上是从属于意识形态的要求,完成了从"阶级话语"到"经济话语"的转变,从而突出了《尔玛的婚礼》的文化特性。
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| 关 键 词： | 少数民族 羌 地域文化 全球化 现代性 |
| 文章编号： | 1008-4142（2007）04-0040-03 |
| 收稿时间： | 2007-10-28 |
| 修稿时间： | 2007年10月28 |
On the Poetically Sentimental Images of Weeping Willows and the Qiang Flute |
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| LI Er-shi.On the Poetically Sentimental Images of Weeping Willows and the Qiang Flute[J].Journal of Aba Teachers College,2007,24(4):40-42,45. |
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| Authors: | LI Er-shi |
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| Abstract: | This paper,starting with the thread of the development of films based on ethnic events,depicts the social contexts that the two films mirroring the Qiang's people's life like An Ode to the Qiang Flute and Erma's Wedding are in.Actually,the depiction of China's films about the ethnic groups pertains to ideological appeal.The transformation from "Class discourse" to "economic discourse" gives preponderance to the cultural traits of Erma's Wedding. |
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| Keywords: | national minorities the Qiang people regional culture globalization modernity |
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