| 男性导演视角中的女性世界——关锦鹏和他的女性三部曲 |
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| 引用本文： | 王亚娜. 男性导演视角中的女性世界——关锦鹏和他的女性三部曲[J]. 宜宾学院学报, 2006, 6(9): 82-84 |
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| 作者姓名： | 王亚娜 |
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| 作者单位： | 南京师范大学中文系,江苏南京210097 |
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| 摘 要： | 影片《胭脂扣》、《人在纽约》、《阮玲玉》构成了导演关锦鹏的女性三部曲。在这些影片中,体现了作为一位男性导演对女性主题的深刻的人文化的关注,对女性的欣赏甚至膜拜,同时他还善于运用各种细腻圆熟、精雕细琢的手法对女性的喜怒哀乐进行书写,构成了独特的女性化的话语诉说,为这些女性谱写了属于她们自己的哀歌、悲歌和挽歌。
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| 关 键 词： | 女性视角 哀歌 悲歌 挽歌 |
| 文章编号： | 1671-5365(2006)09-0082-03 |
| 收稿时间： | 2006-04-20 |
| 修稿时间： | 2006-04-20 |
Female World in Male Director''''s Perspective: Stanley Kwan and His Feminine Trilogy |
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| WANG Ya-na. Female World in Male Director''''s Perspective: Stanley Kwan and His Feminine Trilogy[J]. Journal of Yibin University, 2006, 6(9): 82-84 |
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| Authors: | WANG Ya-na |
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| Affiliation: | Chinese Department, Nanjing Normal University, Nanjing 210097, China |
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| Abstract: | Three Movies,Rouge,Full Moon In New York,and Yuen Ling-yuk: Actress,The Center Stage,form the feminine director Stanley Kwan's trilogies.He pays close and humanism attention to feminine topics,and appreciates and even worships femininity in these films.Meanwhile,his minute and proficient careful and precise expression of feminize happiness,angry,grief and joy have constructed unique feminized utterance and complaint.He has composed their own threnody,dirge,elegy that belong to these women. |
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| Keywords: | Feminine Perspective Threnody Dirge Elegy |
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