| 置阵布势与中国画的构图 |
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| 引用本文： | 王廷华.置阵布势与中国画的构图[J].天水师范学院学报,2004,24(1):101-103. |
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| 作者姓名： | 王廷华 |
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| 作者单位： | 兰州师范高等专科学校,美术系,甘肃,兰州,730070 |
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| 摘 要： | 置阵布势中,开合、聚散完成了势的创造,一开一合的无限性变化使章法产生了多样性,而多样要归于统一,所以在置阵中则必须分清主宾、虚实、疏密、繁简等一系列对比因素。
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| 关 键 词： | 置阵:置阵布势 开合 虚实 |
| 文章编号： | 1371-1351(2004)01-0101-03 |
| 修稿时间： | 2003年10月11 |
Setting of Scene and Composition of Chinese Paintings |
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| WANG Ting-hua.Setting of Scene and Composition of Chinese Paintings[J].Journal of Tianshui Normal University,2004,24(1):101-103. |
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| Authors: | WANG Ting-hua |
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| Abstract: | In the setting of scene, opening and closing, gathering and dispersing create the momentum. Unlimited changes of opening and closing diversifies the art of painting composition. However, diversification will finally come to unification. Therefore, in the setting of scene, series of factors such as: what is primary, what is secondary, what is elusive, what is realistic, what is dense, what is sparse, what is simple and what is complex must be distinguished. |
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| Keywords: | setting of scene opening and closing what is elusive and what is realistic |
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