| 略论汪曾祺小说文化内涵的两重性 |
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| 引用本文： | 李舒杨.略论汪曾祺小说文化内涵的两重性[J].唐山师范学院学报,2002,24(3):14-16. |
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| 作者姓名： | 李舒杨 |
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| 作者单位： | 唐山师范学院,中文系,河北,唐山,063000 |
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| 摘 要： | 汪曾祺小说恬静温馨的和谐之美中凝聚着儒道佛相互渗透的传统文化意识，体现了他所追求的熔铸了中和主义审美观的审美境界。同时，作家的人道主义情怀和现实生活赋予作家的切身体验又最终挣脱了作家的主观控制，沉重地表达出他对苦难人生的审美体验，呈现出难以抹去的悲剧色彩，从而构成了其小说文化内涵的两重性。
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| 关 键 词： | 汪曾祺 小说 悲剧意识 文化内涵 和谐美 审美体验 儒家思想 道家思想 佛教思想 |
| 文章编号： | 1009-9115(2002)03-0014-03 |
| 修稿时间： | 2001年10月29 |
Brief Discuss Novels of WANG Zeng-qi About Dual Culture Connotation Character |
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| LI Shu-yang.Brief Discuss Novels of WANG Zeng-qi About Dual Culture Connotation Character[J].Journal of Tangshan Teachers College,2002,24(3):14-16. |
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| Authors: | LI Shu-yang |
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| Abstract: | There is a peaceful and strong and pervasive fragrance harmonious beauty in novel of WANG Zeng-qi and agglomerate tradition culture consciousness of Confucianism and Tao and Buddha, it is that he pursue taste ambit of counteractism. at the same time, humanitarianism passion of author and realist life endow with person experience to author finally break loose his subjective dominate, heavily give expression to his taste experience about tribulation, present strong tragedy color, consequently make of dual culture connotation in his novel. |
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| Keywords: | novels of WANG Zeng-qi idea of Confucianism and Tao and Buddha harmonious beauty tragedy consciousness |
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