| 近代歌词创作的“文”、“白”之争 |
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| 引用本文： | 李静.近代歌词创作的“文”、“白”之争[J].南京师范大学文学院学报,2012(4):91-100. |
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| 作者姓名： | 李静 |
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| 作者单位： | 北京航空航天大学 人文与社会科学高等研究院,北京,100191 |
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| 基金项目： | 教育部人文社科研究一般项目"中国近代音乐文化编年" |
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| 摘 要： | 以＂新民＂为目的,近代的＂诗＂与＂乐＂重新开始合作,并产生出大量的乐歌作品。但是,在＂教育＂与＂文学＂,＂国家＂与＂私人＂,＂工具＂与＂艺术＂间不断游弋的身份认同,使近代乐歌的歌词呈现出＂浅白＂与＂文雅＂的不同面相。这种语体实践,除了对中国现代的新诗运动具有最初的示范意义外,其所包蕴的复杂的文化内涵也为研究者理解近代文化的多元与丰富、理解那一代人的思考与顾忌提供了契机。
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| 关 键 词： | 乐歌 沈心工 曾志忞 李叔同 王国维 |
The Debating on Whether Classic or Colloquial Styles Should be Used in Lyric Creation In the Early Modern Time |
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| Li jing.The Debating on Whether Classic or Colloquial Styles Should be Used in Lyric Creation In the Early Modern Time[J].Journal of Chinese Language and Culture School Nanjing Normal University,2012(4):91-100. |
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| Authors: | Li jing |
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| Abstract: | Aimed at ＂innovating the people＂,＂poetry＂and ＂music＂re-started a cooperation in the early modern time,and many lyrics have been created.However,the wondering identification between ＂education＂or ＂literature＂,＂national＂or ＂personal＂,＂tool＂or ＂art＂,caused the early modern lyrics to show two different faces：＂colloquial and shallow＂vs.＂classic and elegant＂.This language style practice not only gave initial demonstrating for China’s modern new poem movement,but also provides a clue for researchers to comprehend the complexity of the diversified and rich cultural connotation of that time,and understand the deliberation and scruple of that generation. |
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| Keywords: | lyric Shen Xingong Zeng Zhiwen Li Shutong Wang Guowei |
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