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从虚无主义走向苏非主义——关于《金色笔记》中几处空间场景的内涵释读
引用本文:卢婧.从虚无主义走向苏非主义——关于《金色笔记》中几处空间场景的内涵释读[J].南京师范大学文学院学报,2012(4):141-147.
作者姓名:卢婧
作者单位:南京师范大学文学院,江苏南京,210097
基金项目:教育部青年基金项目"多丽丝·莱辛小说的艺术形式研究"
摘    要:在《金色笔记》中,非洲"马雪比"、英国"伦敦"、主人公的"公寓",这几个场景跳跃出现,在情节中既疏离错位又彼此交织,成为某一个历史阶段精神影像的写照,反映了特定历史时期与社会形态下欧洲知识分子的精神处境,以及他们在积极追求和消极感受上的矛盾,从无力抗争、消极避世到重建信心的努力过程。也显示出作家在自然理性与苏非神秘主义哲学这两个思维向度上的尝试与追求,预示了作者此后创作题材的调整。

关 键 词:《金色笔记》  空间场景  苏非主义

From Nihilism to Sufism:Interpreting the Connotation of Several Spatial Scenes in The Golden Notebook
Lu jing.From Nihilism to Sufism:Interpreting the Connotation of Several Spatial Scenes in The Golden Notebook[J].Journal of Chinese Language and Culture School Nanjing Normal University,2012(4):141-147.
Authors:Lu jing
Abstract:In The Golden Notebook,the African "Mashopi",British "London" and the heroine's "apartment",these scenes appears in turn,detached yet interweaved in the plot,constitute a portraiture of the spirit of a particular historical stage,reflecting the spirit plight of the European intellectuals under certain historical period and social formation,and their contradiction between active seeking and negative feeling,their process from inability in resisting,passive withdraw from society,and strive to rebuild confidence.It also shows the author's attempt and pursue in thinking dimension of natural reasoning and the Sufi mysticism,predicting the author's later readjusting of subjects in her creation.
Keywords:The Golden Notebook  spatial scenes  Sufism
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