| 《俄狄浦斯王》编剧法新探 |
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| 引用本文： | 唐湘. 《俄狄浦斯王》编剧法新探[J]. 福建师范大学学报(哲学社会科学版), 2002, 0(4): 114-116 |
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| 作者姓名： | 唐湘 |
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| 作者单位： | 福建师范大学外国语学院,福建福州,350007 |
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| 摘 要： | 本文试以亚里士多德《诗学》中的相关理论分析古希腊著名悲剧《俄狄浦斯王》的编剧法,涉及到包括突转,发现,苦难,情节（或行动）与性格的关系等诸要素。并以中国古典戏剧理论家李渔的“立主脑”说对此分析加以提纲挈领式的升华,将《俄》剧的编剧法理出一条清晰而新颖的脉络。
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| 关 键 词： | 《诗学》 《俄狄浦斯王》 编剧法 李渔 “立主脑“说 |
| 文章编号： | 1000-5285(2002)04-0114-03 |
Dramaturgy of Oedipus the King Revisited |
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| TANG Xiang. Dramaturgy of Oedipus the King Revisited[J]. Journal of Fujian Normal University(Philosophy and Social Sciences Edtion), 2002, 0(4): 114-116 |
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| Authors: | TANG Xiang |
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| Abstract: | This paper tries to analyse the dramaturgy of the famous ancient Greek tragedy Oedipus The King with the relevant theory in Potics by Aristotle, involving elements such as peripeteia, anagnorisis, pathos, and the relationship between ethos and praxis,etc. Then the author intends to make the above analysis sublimed with the theory of "setting up a trigger plot" which was originally brought up by Chinese ancient drama theorist Li Yu. The sublimation helps to find out a clear and novel dramaturgy of Oedipus The King . |
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| Keywords: | Poetrics,Oedipus,dramaturgy,Li Yu,theory of " setting up a trigger plot |
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