明词曲化现象述评

从明初的高启，历经明中期的杨慎、吴门词派、王九思到明后期的王世贞、施绍莘、陈继儒、高濂、卓人月等的词作都存在着不同程度的曲化现象。明词的曲化，实是文体演进规律使之然，反映了词由乐而文、历俗而雅发展过程中的反拨，是词学发展中的一种回溯现象。明词的曲化，并非弊病，它正好是构成明词体式上的重要特征。

A Summary and Evaluation of the Tuned Trend Phenomenon in Ci-poetry in Ming Dynasty

This article takes a close look at A Full Collection of Ci-poetry in Ming Dynasty,which includes 19000 pieces from Gao Qi in the early Ming Dynasty,Yang Shen,Wu Men School of Ci-poetry,Wang Jiu-si in the middle of Ming Dynasty,to Wang Shi-zhen,Shi Shao-shen,Chen Ji-ru,Gao Lian,Zhuo Ren-yue in the late Ming Dynasty,and finds the tuned trend phenomenon in the Ci-poetry.This phenomenon is a result of the evolution of the literary form.It reflects a tracing back development of Ci-poetry from a kind of music to a form of literature,from being simple to complicated.The tuned trend is one of the important characteristics of Ci-poetry in Ming Dynasty in form,but not a shortcoming.