| 论李斯特超技练习曲风格与演奏 |
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| 引用本文： | 姚明. 论李斯特超技练习曲风格与演奏[J]. 丽水学院学报, 2008, 30(1): 24-29 |
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| 作者姓名： | 姚明 |
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| 作者单位： | 浙江传媒学院,音乐学院,浙江,杭州,310018 |
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| 摘 要： | 在李斯特12首超技练习曲中，音阶是所有演奏法的基本，是李斯特演奏技巧中最重要的一部分；跟音阶一样，分解和弦也是演奏技巧的根本；双音与和弦的洪水式使用法，不仅能引发华丽的效果，同时也不会使音的流泻变得很暧昧；八度音奏法与断奏，也是李斯特卓越的钢琴演奏技巧中不可或缺的一部分。
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| 关 键 词： | 李斯特 音阶 半音阶 分解和弦 双音与和弦 八度音奏法 断奏 |
| 文章编号： | 1008-6749(2008)01-0024-05 |
| 修稿时间： | 2007-10-29 |
Style and Performance on the Liszt Super-skill etudes |
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| Yao Ming. Style and Performance on the Liszt Super-skill etudes[J]. Journal of Lishui University, 2008, 30(1): 24-29 |
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| Authors: | Yao Ming |
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| Affiliation: | Yao Ming (College of Music,Zhejiang Institute of Media and Communications, Hangzhou Zhejiang 310018,China) |
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| Abstract: | Among the twelve etudes written by Liszt,scale practice is the basis of all performing techniques and it is also one of the most important parts of Liszt's performing skilk.So is arpeggio.Employing dual-voice and chord in a flooding style not only produces a luxuriant impression,but also keeps the stream of sounds from vagueness.Octave and staccato performing methods are also an indispensably important part of the excellent performing skills of Liszt. |
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| Keywords: | Liszt scale chromatic scale arpeggio dual-voice and chord octave performing methods staccato |
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