| 船山现量说的审美意蕴 |
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| 引用本文： | 陈琰. 船山现量说的审美意蕴[J]. 衡阳师范学院学报, 2006, 27(2): 10-13 |
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| 作者姓名： | 陈琰 |
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| 作者单位： | 武汉大学,哲学学院,湖北,武汉,430072 |
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| 摘 要： | 船山在其诗论中用现量来解释审美经验,佛学现量由此而形成审美范畴。现量作为审美直觉,当下、直接地经验情景,天人互动中的相通相感,从而通向幽微灿烂的生命之境,是其主要的审美意蕴。而如此理解的现量,对佛学现量的本意已经有所偏离。
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| 关 键 词： | 王船山现量 情景 神理 |
| 文章编号： | 1673-0313（2006）02-0010-04 |
| 收稿时间： | 2006-01-06 |
| 修稿时间： | 2006-01-06 |
The Aesthetic Meaning of Chuanshan''''s Theory of Pratyaksa |
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| CHEN Yan. The Aesthetic Meaning of Chuanshan''''s Theory of Pratyaksa[J]. journal of Hengyang Normal University, 2006, 27(2): 10-13 |
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| Authors: | CHEN Yan |
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| Affiliation: | Philosophy Dept., Wuhan University, Wuhan Hubei 430072, China |
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| Abstract: | Chuanshan interprets aesthetic experience by pratyaksa in his poetical theory,so the Buddhism pratyaksa is translated an aesthetic category.The Present knowledge as aesthetic intuition,its primary aesthetic meaning is to directly experience the lively relationship between feeling and scene or between nature and human and finally reach a wonderful bourn of lives.pyatyaksa as aesthetic intuition differentiates the Buddhism pratyaksa. |
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| Keywords: | Wang Chuan-shan pratyaksa feeling-and-scene infinite spirit |
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