River of words as space for encounter: Contested meaning in rhetorical convergence zones

This essay explores a word-based public art project. In its quotidian presence and its technical violation of historic district codes, the project enables varied interactions. The project requires us to revise our understanding of rhetorical situation, rhetorical space, and rhetorical ecology by understanding public art as a space for encounter: places and moments that enable engagement between and among humans and place that amplify the sense of the contingency of public space. They are important realms for activating a democratic ethos for the city. This concept attends to the intentionality and contingency of rhetorical interaction seeing space as contextual but not determinative, a place of convergence. Using oral history interviews with hosts of the words and participant observation of two historic district hearings, I read the hearings, and the words, as spaces that mobilize a convergence zone between the intimate and the public. Building on encounter and spatial theory, this essay offers a defense of the mid-level as a register of political practice that can be glimpsed in cultural processes.