| 新诗与音乐美 |
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| 引用本文： | 杨艳平.新诗与音乐美[J].湘潭师范学院学报(社会科学版),2004,26(1):99-100. |
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| 作者姓名： | 杨艳平 |
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| 作者单位： | 湖南科技职业学院,基础部,湖南,长沙,410118 |
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| 摘 要： | 1917年文学革命后,自由诗应运而生。当自由诗在“自由”的怂恿下,打破格律的束缚,彻底地“自由”时,回头却发现音乐性对诗的重要,于是,便有新诗对音乐美的追求与探索。概括起来,新诗构成音乐美的方式,主要有巧妙地运用尾韵和句中韵,利用诗的建筑形式,合理地排列诗的词藻,尽量地利用词汇、句子甚至段落的复沓回环造成音乐旋律等,这些探索至今仍令人思索。
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| 关 键 词： | 新诗 音乐美 用韵技巧 语音 意境 中国 |
| 文章编号： | 1009-4482(2004)01-0099-02 |
| 修稿时间： | 2003年9月28日 |
The Neo-Poems and the Musical Beauty |
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| YANG Yan-ping.The Neo-Poems and the Musical Beauty[J].Journal of Xiangtan Normal University(Social Science Edition),2004,26(1):99-100. |
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| Authors: | YANG Yan-ping |
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| Abstract: | The free verses came out after the literary revolution in 1917. Encouraged by the "freedom", the free verses smashed the trammels of the rhyme scheme and were completely "free". However, the musicality was found important for the verses. The neo-poems began to pursue the musicality. To sum up, the ways of musical beauty formed by the neo-poems lie in the following: applying the ending rhyme and the rhyme in the middle of the sentences cleverly; arranging the words of the verses rationally by using the architecture form of the poems; making the musical melody by using the winding of the words, sentences and even paragraphs. Such exploration needs more pondering. |
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| Keywords: | neo-poem rhyme architecture form winding musical beauty |
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