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审美与功用的汇通之途--以刘勰诗学观为视角
引用本文:何国平,闫月珍.审美与功用的汇通之途--以刘勰诗学观为视角[J].玉溪师范学院学报,2005,21(6):32-35.
作者姓名:何国平  闫月珍
作者单位:1. 浙江大学,国际文化学系,浙江,杭州,310028
2. 湖南工业大学,艺术传播学院,湖南,株洲,412008
基金项目:湖南省教育厅课题“物感经验的美学传播”(04C738)的研究成果。
摘    要:刘勰诗学观在他的整个文学理论体系中据有重要一席。其诗学观的基本取向是继承、修正并淡化原始儒家诗学的功利主义色彩,使其与审美融合。标举自然与清丽,强调性情本体的恰当形式化,是刘勰诗学观的重要美学命题。其美学史意义是使儒家诗学观的审美之维得到合法的肯定与充实,在汇通审美与功用之途上做出了有建树的尝试。

关 键 词:审美  功用  文心雕龙  刘勰诗学观
文章编号:1009-9506(2005)06-0032-04
修稿时间:2005年3月11日

One Way of Integrating Utility and Aesthetics--Liuxie's Poetics
HE Guo-ping,YAN Yue-Zhen.One Way of Integrating Utility and Aesthetics--Liuxie''''s Poetics[J].Journal of Yuxi Teachers' College,2005,21(6):32-35.
Authors:HE Guo-ping  YAN Yue-Zhen
Abstract:Liuxie Poetics holds a significant position in his entire literary theory. The basic trend of his poetics was to uphold, and revise the original Confucianism poetics while diluting the utilitarianism elements in order to merge it with aesthetics. Nature and fresh elegance and proper formalizing temperament noumenon are the basic aesthetic propositions in his poetics. The significance of his aesthetics was to legitimatize the aesthetic dimension of Confucianism and made valuable attempt at integrating aesthetics and utility.
Keywords:
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