文学批评:陷落与突围

自上个世纪90年代,中国开始进入一个价值分裂的时代,文学批评越来越失去了自己独立坚贞的品格,在迷茫中陷落:批评家丧失主体性,并导致批评标准的混乱;受大众传媒挤压,处境日益尴尬;越来越远离作品、远离生活,备受大众冷落。然而,文学批评又面临着丰富、复杂的价值选择、审美选择,它也在不断地进行着抗争和整合,寻找到了新的生长点,展现出多元共存、互补互动的格局。当下的文学批评有陷落、有突围,并在突围的尝试中力图建构出更具魅力、更深邃的文化空间。

The Subsidence and Breakthrough of the Literary Criticism

From 1990s,China began to enter an era that value was split so as that the literary criticism has lost its own faithful character and independence gradually and been in subsidence confusedly.The critic has lost their personality,which has resulted in the confusion of the critical standard;Depressed by mass media,the situation of the literary criticism is becoming more and more awkward;Far away from the works,far away from life,it is treated coldly by the masses.However,it also faces rich value chooses and aesthetical chooses.It is also resisting and combining constantly,finding the new growing points.It forms pluralistic coexistences and interactive pattern.The literary criticism instantly subsides.At the same time,it breaks out of the encirclement constantly,and tries hard to construct a more striking,deeper culture space.