| 道家美学思想与当代艺术的继承和发展 |
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| 引用本文： | 彭泽立. 道家美学思想与当代艺术的继承和发展[J]. 湖南城市学院学报, 2004, 25(1): 57-59 |
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| 作者姓名： | 彭泽立 |
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| 作者单位： | 湖南工艺美术职业学院,基础部,湖南,益阳,413000 |
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| 摘 要： | 道家美学思想在我国传统诗画艺术、古典园林艺术、器物艺术中产生了极其深远的影响。当代艺术家对20世纪以来现代艺术“反传统”、“反自然”的“人类中心主义’’倾向进行了深刻的反思，对道家思想“回归自然”的传统文化精神有了更新的体认，“绿色绘画”、“绿色设计”等艺术概念日益深入人心。
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| 关 键 词： | 道家 美学思想 当代艺术 继承 发展 |
| 文章编号： | 1672-1942(2004)01-0057-03 |
| 修稿时间： | 2003-11-25 |
Taoist Aesthetics Thought and the Inheritance and Development of Contemporary Art |
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| PENG Ze-li. Taoist Aesthetics Thought and the Inheritance and Development of Contemporary Art[J]. Journal of Hunan City Univeristy, 2004, 25(1): 57-59 |
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| Authors: | PENG Ze-li |
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| Abstract: | Taoist aesthtics thought has profound influence on traditional poems and paintings, classical park arts and implemental arts in our country. The contemporary artist thought deeply about the inclination of the 20th century modern art of anti-tradition, versa nature and the human center doctrine, and gained renewal realization of traditional culture spirit of return to the nature. The concept green paintings, green designs etc. have increasingly been deepened into the public. |
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| Keywords: | Taoist aesthetics thought contemporary art inheritance development |
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