| 二十世纪三十年代的中国左翼电影 |
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| 引用本文： | 卢晓云. 二十世纪三十年代的中国左翼电影[J]. 伊犁教育学院学报, 2002, 15(3): 40-46 |
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| 作者姓名： | 卢晓云 |
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| 作者单位： | 南京师范大学,文学院,江苏,南京,210097 |
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| 摘 要： | 20世纪30年代左翼电影在中国出现的原因:20年代电影业畸形发展的反拨;国难当头,民族危亡形势的激发;左翼文学运动的催化。左翼电影在严格的审查制度、法西斯式的暴力侵扰以及来自其他阶层电影人的理论冲击的合力“围剿”中艰难前行,始终坚持反帝反封建的创作方向,同时也促进了电影艺术自身的发展和进步,创造了中国电影史上的第一个高峰。其成就主要表现在:拓展了社会性的主题,深化了现实主义创作方法,探索了民族化的表现风格,发展了有声电影的技术和技巧。
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| 关 键 词： | 左翼电影 现实主义 民族化风格 第一个高峰 |
| 文章编号： | 1009-0487(2002)03-0040-07 |
Chinese Left-Wing Films in 1930s |
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| LU Xiao-yun. Chinese Left-Wing Films in 1930s[J]. Journal of Yili Education College, 2002, 15(3): 40-46 |
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| Authors: | LU Xiao-yun |
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| Abstract: | The reasons that Chinese Left-wing films appeared in 1930s:Film making developed abnormally in 1920s;The Chinese nation was in a dangerous situation; The Left-wing literature grew vigorously. The Left-wing films met with great difficulties from many respects; the Kuomintangs rigid examinations, some literary and art workers opposition, etc. But Left-wing film-makers stock to advanced direction, breaking through obstructions, facilitating the Left-wing films progressiveness:expanding the social subjects, deepening realistic creative ways, exploring national style expression and improving filmmaking techniques. Those made the Chinese films reach the first peak. |
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| Keywords: | left-wing film realism national style the first peak |
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