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审美符码化研究
引用本文:任真.审美符码化研究[J].廊坊师范学院学报,2012,28(3):9-12.
作者姓名:任真
作者单位:四川大学文学与新闻学院,四川成都,610064
摘    要:在艺术作品日渐符号化、互文化的时代,审美也经历着从个体深度体验到能指交际的转型,当艺术符号成系统地出现时,系统规则即符码成为解读艺术作品审美意义的关键。在审美的这个转型中,对艺术作品的符码化解读瓦解了审美中原有的主客体关系,使得主体不得不学习或者依靠自我身份所对应的符码体系,从而丧失了主体性。而研究、教育机制与商业机制一起完成了这一审美符码化的过程。

关 键 词:审美  符码  互文性

On Aesthetic Symbolization
REN Zhen.On Aesthetic Symbolization[J].Journal of Langfang Teachers College,2012,28(3):9-12.
Authors:REN Zhen
Institution:REN Zhen (School of Literature and Journalism, Sichuan University, Chengdu Sichuan 610064, China)
Abstract:With art works being symbolic and intercultural, aesthetics has undergone a transformation from individual experience to signifying communication, and when artistic symbols appear as a system, the systemic law or symbolization has become the key to in- terpret the aesthetic meaning of art works. In this aesthetic transformation, symbolic interpretation of art works has disintegrated the initial subject-object relationship in aesthetics, so that the subject has to learn or rely on the symbolic system corresponding to self identity and loses its subjectivity. However, research, educational mechanism, and business mechanism all together complete the process of aesthetic symbolization.
Keywords:aesthetics  symbolization  inter-textuality
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