| 论电影创造的色彩思维 |
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| 引用本文： | 袁玉琴. 论电影创造的色彩思维[J]. 南京师范大学文学院学报, 2002, 0(3): 90-95 |
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| 作者姓名： | 袁玉琴 |
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| 作者单位： | 南京师范大学,文学院,江苏,南京,210097 |
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| 摘 要： | 在电影的空间思维中，画面的构图、造型抑或场面调度都是空间构成的外在形态，色彩的敷设，既是物象的原貌再现，更是特定意念情感传达的外化显现。对彩色的准确把握和自如运用，并进入积极主动的考辨状态，才是电影空间具象观念趋于成熟的表现。色彩表意是色彩体验的初级阶段，色彩结构才是空间意识觉醒的终极体现。和谐则是色彩美的至高境界
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| 关 键 词： | 电影创造 色彩思维 色彩体验 色彩结构 色彩和谐 |
| 文章编号： | 1008-9853(2002)03-090-06 |
| 修稿时间： | 2002-09-10 |
On the Conception of Colors in Film Production |
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| Yuan Yuqin. On the Conception of Colors in Film Production[J]. Journal of Chinese Language and Culture School Nanjing Normal University, 2002, 0(3): 90-95 |
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| Authors: | Yuan Yuqin |
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| Abstract: | In the conception of spacing of films, the composition of the frame, the modelling, and the scene-arrangement are all the external forms of space constitution. Coloration is not only the representation of the original looks of images, but also the external revelation of specified ideas and emotions. Increasing maturity of concrete conception of spacing of films is reached only when there is an exact grasp and eloquent application of colors and ac-tive entry into a state of rigorous differentiation. Coloration as a means of expression of ideas is the initial stage of color experience, and color structuring marks the ultimate emobodinment of the awakening of space consciousness. And harmony is the supreme ideal of the beauty of colors. |
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| Keywords: | color experience color structuring harmony of colors conception of colors |
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