| 梁陈边塞诗创作心理浅解 |
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| 引用本文： | 王小娟. 梁陈边塞诗创作心理浅解[J]. 南京师范大学文学院学报, 2005, 0(2): 85-88 |
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| 作者姓名： | 王小娟 |
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| 作者单位： | 西华师范大学,文学院,四川,南充,637002 |
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| 摘 要： | 梁陈人在创作宫体诗的同时创作了别具一格的边塞诗，本认为其动因不仅是南朝乐府拟作之盛行，更由于梁陈间诗人对新的审美对象和抒情载体的寻找，对新的审美理想之追求，对学悲怨情感之依归与抒发，也是对两汉大一统局面向往之心理情结。
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| 关 键 词： | 梁陈边塞诗 审美理想 悲怨情感 心理情结 |
| 文章编号： | 1008-9853(2005)02-085-04 |
| 修稿时间： | 2004-08-26 |
Tentative Psychological Analysis of Frontier Poetry in the Liang and Chen Dynasties |
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| Wang Xiaojuan. Tentative Psychological Analysis of Frontier Poetry in the Liang and Chen Dynasties[J]. Journal of Chinese Language and Culture School Nanjing Normal University, 2005, 0(2): 85-88 |
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| Authors: | Wang Xiaojuan |
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| Abstract: | Poets in the Liang and Chen dynasties have developed Frontier Poetry, a distinctive genre in addition to the Court Style. This paper claims that the composition of frontier poems is not only the result of the prevalence of the parodies of yuefu of the Southern Dynasty, but more of those poets' quest for new aesthetic targets and poetic carriers, their pursuit of new aesthetic ideals, their returning to and expression of the lamentable sentiment of literature, as well as their psychological complex disclosing their yearning for a unification like that of the two Han dynasties. |
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| Keywords: | Frontier Poetry of the Liang and Chen dynasties aesthetic ideal lamentable sentiment psychological complex |
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