| 爱憎不相离 --试论《我在霞村的时候》的情感艺术 |
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| 引用本文： | 张慧强,梁俊仙.爱憎不相离 --试论《我在霞村的时候》的情感艺术[J].河北北方学院学报(社会科学版),2003,19(5):16-22. |
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| 作者姓名： | 张慧强 梁俊仙 |
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| 作者单位： | 1. 河北北方学院中文系,张家口,075000
2. 河北北方学院宣传部,张家口,075000 |
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| 摘 要： | 《我在霞村的时候》是丁玲的重要作品,呈现出一位人民作家的创作姿态。小说表现了作家对女主人公贞贞的深挚之爱,和她对落后群众的爱憎交织的复杂的情感态度,对鲁迅提出的“爱憎不相离”的美学命题做了有效的诠释和有力的支持,因此具有一定的示范意义。“新批评”方法对于这个文本是适用的。
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| 关 键 词： | 爱 憎 不相离 群众 |
| 文章编号： | 1008-2727(2003)05-016-07 |
| 修稿时间： | 2003年1月3日 |
Love and Hatred never Separate from Each Other |
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| Zhang Huiqiang Liang Junxian.Love and Hatred never Separate from Each Other[J].Journal of Hebei North University,2003,19(5):16-22. |
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| Authors: | Zhang Huiqiang Liang Junxian |
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| Abstract: | When I was in Xia Village, the very important works written by Ding Ling, shows her writing attitude as the people's writer. The writer expressed her loyal, deep and sincere love to the heroine named Zhenzhen and her complicated feeling mingled with love and hatred towards the backward mass, which interprets effectively and supports strongly the aesthetic topic " love and hatred never separate from each other" proposed by Lu Xun, therefore it has some necessarily exemplary significance. The method of "New-criticism" is fit for this text. |
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| Keywords: | love hatred no separation the mass |
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