| "异化"中的审美:主体的回归 |
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| 引用本文： | 邓先进,马振华. "异化"中的审美:主体的回归[J]. 伊犁教育学院学报, 2006, 19(2): 26-28 |
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| 作者姓名： | 邓先进 马振华 |
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| 作者单位： | 1. 新疆大学,人文学院,新疆,乌鲁木齐,830046
2. 伊犁师范学院奎屯校区,新疆,奎屯,833200 |
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| 摘 要： | “异化”在现代社会呈现出有别于传统的含义,人作为审美主体已在审美中萎缩,客体却在无限“物化”,这样使得审美个体的三种状态交织存在,主体的回归也只是虚幻性的自足。
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| 关 键 词： | 异化 审美主体 回归 |
| 文章编号： | 1009-0487（2006）02-0026-03 |
| 收稿时间： | 2006-01-02 |
| 修稿时间： | 2006-01-02 |
Aesthetic of "Dissimilation" :The Returning of Aesthetic Subject |
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| DENG Xian-jin,MA Zhen-hua. Aesthetic of "Dissimilation" :The Returning of Aesthetic Subject[J]. Journal of Yili Education College, 2006, 19(2): 26-28 |
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| Authors: | DENG Xian-jin MA Zhen-hua |
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| Affiliation: | 1. Humanities College of Xinjiang University, Ummqi Xinjiang 830046; 2. Kuitun Branch of Yili Normal University, Kuitun Xinjiang 833200, China |
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| Abstract: | "Dissimilation" carries a different meaning in modern sociey from it in tradition.As aesthetic subjects,men have shrunk while aesthetic objects are passing away endlessly.As a result,the three forms of aesthetic individuals appear to interlace each other.Regression of aesthetic subjects,however,is just an imaginary self-satisfaction. |
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| Keywords: | dissimilation aesthetic individuals regression |
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