后宫视域中的左思兄妹及其文学书写

后宫视域的引入,对还原左思兄妹的生平和他们所处的人际网络颇有裨益,也有助于对其文学书写内涵的理解。就左棻而言,后宫中应诏作文的创作情境,使其文学书写往往带有为文造情之弊。但宫廷生活也为她提供了游心艺文的时间和空间,以及接触流行文化风尚的机会,她作品的题材、构思及美学风貌均与士林趋同,达致了"预流"之境。就左思而言,《三都赋》体现了外戚人际网络对其文学书写的助益,而《悼离赠妹二首》与《娇女诗》则反映了身为外戚的他对女性才德观的独特思考,可以窥见其心态嬗变的原因。

Study on the Life and Works of Zuo Si and Zuo Fen from Imperial Harem Perspective

The introducing of the perspective of imperial harem may be helpful in restoring the life and re- lationship network of Zuo Si and Zuo Fen, as well as in understanding their literary works. Zuo Fen usually writes poems and essays at the request of the emperor, so her works often ＂creating feelings for writing＂. On the other hand, living in the palace provided her with the time and space for indulging in writing, as well as the opportunity of contacting with the culture trends. As a result, the theme, conception, and aesthetics scene in her works are all close to those male literati. As for Zuo Si, his Episode of Three Capitals indicates an ad- vantage he got from the interpersonal relationship of his gaiseki status. Meanwhile, the poems concerning his younger sister and daughters are reflecting his special view about female virtuousness. From those works, we can find out the underlying reasons in the change of his mentality.